In that piece, I spoke at length about the fact she is an invaluable, knowledgeable, and helpful human being, a credit to the publishing world, and about how she’s got the entire genre in the palm of her hand and doesn’t even know it. In all honesty, being a woman in this “boy’s club” is a tough hand to be dealt, but Monica plays it with skill and humility.
Eventually, I went on to talk about Burning Effigy and the effect that it had on me as an upstart blogger, reviewer, website thingymabobber, and all ’round literature geek – not just horror lit, either. I blabbed on and on about how she introduced me to one of my favourite writers – Ian Rogers; put on or invited me to some incredible and memorable events – Durham Darklit Festival, an Evening with the Authors; and generally stoked the flame for my love of short horror fiction through the output of those in her small press stable and through random conversation. The incredible array of books that Burning Effigy has put out over the span of time that I’ve known about them is astounding. Rogers’ Temporary Monsters, The Ash Angels, and Black Eyed Kids remain some of my favourite stories, and one of my top 3 favourite series of all time.
I never would have known about them if it hadn’t been for Monica.
And lest we forget the obligatory championing of her involvement in Rue Morgue Magazine (whose new site is freaking spectacular, if I do say so). Truth be told, this site wouldn’t exist without that publication and, in essence, without Monica. Now, I know it has everything to do with the motivation to get something like this up and running and all that jazz, but think about this: I’m sure that the fact that she is an avid reader/writer helped spawn the “Grim Reader” section on the now defunct Rue Morgue Forum, the Rue Mortuary. I can say, without a doubt, that she was one of a handful of people that inspired me to start Paperback Horror, expand to Dreadful Tales, and at the very least come into contact with some incredible talent out there in horror-land. Hell, I met Pat Dreadful and Meli in the Grim Reader, and I’ll go on the record to say that Monica introduced me, by default, to two of the best people I’ve ever worked with, and ever had the fortune of calling friends.
But that’s not what this post is about.
While I was writing it the first time, this post took on an entirely different life of its own, so I’m running with it.
This entry into the WiHM festivities at Dreadful Tales is about progress and inspiration. This post is about one of the most inspirational and frustratingly cool people I’ve ever met. Someone I’ve been waiting to introduce to people since the first day I heard an inkling that she existed.
And now I can finally do it.
This post is about Monica S. Kuebler – the author.
Monica first told me about her YA trilogy, The Cold Ones, in or around November or December of last year. At first, when she got into the idea just a little bit, I was intrigued, but not enough to drop everything and go nuts.
But then Monica got into the story a little bit more. I swear to you, dear reader, when she got into the meat of The Cold Ones, this woman’s eyes took on a determined look of passionate possession. It was as if she was focusing on a world beyond the cramped little library basement we were currently standing in, completely lost in a landscape of her own making.
And then she hit me with some of the main plot points and the bits of action she could divulge. I don’t know if it’s the way she told me, or the passion I could see in her eyes, but something clicked.
And I instantly found myself intrigued.
See, I’d read some of Monica’s work before. It’s not stuff that the general horror fan would be likely to take on because, well, most of the stuff I managed to score was poetry. And we all know what sort of folks read poetry, right? Ugh. Wrong. But I have to say, I love that stereotype. It’s just so… special.
Listen: I read poetry. The average horror fan who thinks poetry is for goth girls and emo boys is dead wrong, and using Kuebler’s Some Words Spoken as evidence, readers can see it’s one of the most cathartic things a person can do. Getting lost in the realm of a poet’s design is akin to finding utopia while still wrestling with the possibility of heartbreak, horror, and pain just beyond the horizon. Along with Liisa Ladouceur, Monica is my favourite modern poet. Period.
If you need an example, take a look at what Kuebler can do with the most innocent offer of coffee, leading the reader/audience into an epic love affair, and chronicling one of the most lust-filled pieces of modern poetry I’ve ever heard.
In her joint offering with Cynthia Gould, Some Words Spoken, Monica offers up poems like Chocolate Cake Trophy Girl, Visions of the Week it Rained, and Cycles – pieces that speak to the reader about things they would otherwise keep to themselves, coercing an inner dialogue about the truths in one’s heart while at the same time making things a tab uncomfortable just under the surface. These are the things that keep me going when I’m not reading about the baddies that go bump in the night.
And then there are pieces like Passing Over You and Phone S(ex) that send shivers up the reader’s spine and appeal to the erotica fan in me. This is creativity mingling with lust and frustration… in a good way.
Regardless, Kuebler is a woman who is in touch with her words and knows how to wield them in a way that can hurt, heal, and entertain like no other.
The Night We Slept In Poetry houses one of my favourite selections from any piece of poetry I’ve read in a long while.
We fell asleep in poetry,
books like sharp thin limbs jutted out
from beneath your hip, my shoulder.
Life finds us tangled in such unusual ways.
This was always more than a fragile illusion of text,
this was always just mere moments away from realization.
– The Night We Slept In Poetry
Monica S. Kuebler
Some Words Spoken (2002 – Burning Effigy Press)
Getting back on track: when Monica spoke to me about The Cold Ones, my reaction was mixed at first (as I’ve said), but by the end of the short description I wanted more. Now. She assured me that she was doing what she could to get it out there, but that it was a process and I’d basically have to wait it out. I’m not good at waiting. But, ever the humanitarian, she gave me a consolation prize in what I was about to experience, and hoped it would peak my interest a little more. At the time, we were hanging out at the Durham Darklit Festival ’12 in Oshawa, and she was about to go up for a reading.
And she was going to read directly from The Cold Ones.
“Intrigued” no longer fit the bill. Now I was ready and eager to completely absorb this.
In short, I was floored by the snippet that she offered to the crowd that day, and have listened to the following recording many times over. Well, until January 1st, when Bleeder, the online serial prequel to The Cold Ones, went live to the world. You can keep up with the story at the Bleeder website. I do. Religiously.
To me, Kuebler is a study in perseverance and drive. She’s working herself toward her dream, and doing a damned fine job at achieving it.In the latest Rue Morgue Podcast, Monica mentions the fear that she has at releasing her fiction to the masses, and I can’t applaud her more for conquering this fear and gifting us with such a phenomenal story.
Monica S. Kuebler is more than the Managing Editor at Rue Morgue Magazine, Curator and Owner of Burning Effigy Press, and all around modern renaissance woman. She’s also an incredible author, poet, and person.
To sum this up in a few words: apart from my incredible wife, Shelagh, if there was anyone out there in the world that I would want either of my daughters to look up to and aspire to be like, it would be Monica. She’s strong willed, intelligent, creative, and resourceful. She’s everything I want to see more of in the women of this genre, and frankly, in the real world as well.
Check her out at her online portfolio, The Death of Cool, Facebook, and Twitter. You can, and should, follow the online serial novel, Bleeder, at the Bleeder website. Bleeder is also available on Scribd, Wattpad, Facebook, You can also keep up with her happenings at Rue Morgue Magazine, and Burning Effigy Press.