Dust Devils by Jonathan Janz

I’ve long been a fan of the Horror Western but for my money few writers manage to write them convincingly. When I discovered that Jonathan Janz’s next novel was a horror novel set in 1880s New Mexico I had high hopes for a wild ride and I was not to be disappointed.

Dust Devils is at its heart a story of revenge and redemption, its protagonist Cody Wilson is a young man who has married a wanton woman and ostracised himself from his own family into the bargain. After allowing a savage band of vampires who travel New Mexico masquerading as itinerant actors to seduce and slaughter his wife he saddles up in search of revenge, but he also has a few inner demons with which he needs to battle. Catching up with the vampires it isn’t long before the hunter becomes the hunted and joined by a young boy who is the soul survivor of another of the vampire’s rapacious attacks a desperate pursuit ensues. Seeking succour in the small town of Mesquite he finds himself trapped by the brutish and evil men who run the town, the clock is ticking and Adam Price’s feral gang of travelling vampires will soon descend upon Mesquite bringing hell along with them.

Dust Devils is a tense and riveting tale which reaches a ferocious and breathtaking crescendo in the towns saloon where all hell breaks loose. Janz’s vampires are thankfully not the simpering lovelorn creatures we have seen plague horror literature of late; instead they are relentlessly vicious and monstrously carnal. As with Janz’s other novels this fantastic story is grounded by wonderfully drawn characters and it is almost a shame to see even some of the evil ones ripped to bloody shreds.

First and foremost a traditional Western Dust Devils is also a gripping horror story suffused with terror and no holds barred bloody action. With this novel Jonathan Janz lets fly with both barrels blazing.

With its publication imminent I thought I would ask Jonathan a few questions about his novel.

DARK MARK: Why a Western? I felt a love of the genre shone through in the novel but what were your inspirations for the tale?

JONATHAN JANZ: That’s wonderful to hear! I’ve always enjoyed western films, but it wasn’t until about a decade ago that I got into western novels. Now I love them. I think what attracts me—and many people—to westerns is the lawlessness of the environment. Strangely, I think it’s similar to people’s attraction to the zombie subgenre. Essentially, both genres beg the question, “What happens when all threat of punishment is erased?” Outlaws thrived in the Old West because there was very little law to thwart them. Many people turned a blind eye to their crimes. Others joined them in victimizing innocent people. But just as there will always be people who choose the easy route, or even the despicable one, there will be good men and women who will do what’s right because that’s the kind of people they are. Because western stories plumb the depths of humanity, the heroes who rise up to stand against evil shine all the brighter. We like zombie apocalypse stories because we want to see who will loot and pillage and victimize in the absence of authority, but we also watch these stories to witness the revelation of the good within our hearts. So too do the best westerns distil good and evil and dramatize them in the most unflinching way. My inspirations for the novel were the works of Elmore Leonard, Cormac McCarthy, and Larry McMurtry, as well as the films of Clint Eastwood and the recent 3:10 to Yuma. For example, in Leonard’s Last Stand at Saber River, the protagonist has many opportunities to choose the easy way out. But he knows that in doing so he’d be compromising his beliefs, setting a bad example for his sons, and disappointing his wife. The protagonist of my novel grapples with some of the same issues, and I hope I do that internal conflict justice.

DM: I thought Cody Wilson’s relationship with his father had a ring of truth to it, was it based upon that of an actual father and son?

JJ: I can’t tell you how happy that makes me. That relationship might just be the most important one in the entire book. I grew up without a father in the house (at least, until my mom remarried when I was in junior high). A father was something I always longed for, and I felt that void acutely throughout my childhood. I often chose television dads who seemed kind hearted to become my imaginary fathers. They’d take me camping, play catch with me, and generally spend time with me. I think the father in Dust Devils, though he’s not perfect, is the kind of dad I wanted to have and the kind of father I want to be. Now, thankfully, I have a son of my own (as well as two wonderful daughters), and I get to experience all the things I missed out on as a child.

DM: The vampires are rapacious and brutally nasty was this a conscious effort to make vampires scary again? Is there a beast within the mild mannered horror writer that must find release?

JJ: Hah! You’d have to ask my wife about the “beast within the mild-mannered horror writer” part, since she knows me better than I know myself. I’m very happy you found the vampires to be brutal and nasty. I certainly wanted them to be frightening. I don’t hate any book or movie, necessarily, but I know there have been depictions of vampires as angsty, less-than-monstrous creatures. I don’t think there’s anything wrong with a vampire who can be seductive—in fact, I think that can be a good thing. But for me, there needs to be that other side. That duality. It’s the darkness that makes the seductive side more frightening. I thought Chris Sarandon did a great job in the original Fright Night of capturing both the allure of the vampire and the viciousness of its true nature. His character (Jerry Dandridge) was one of the inspirations for Price, my lead vampire in Dust Devils. Having said that, the bestial, ravening creature hiding behind the human mask is my favorite aspect of the vampire. 30 Days of Night is a film that I thought did a great job of showing how frightening and inexorable vampires could be. So, for me, the best vampires feature a combination of intelligence, seductiveness, ferociousness, and sadism. I hope my vampires exhibit those traits in Dust Devils.

DM: I thought the book would make a great movie, which of your novels if any would you like to see on the silver screen?

JJ: Thank you! I’m biased, obviously, but I think it would make a great movie, too. I think my most recent two Samhain Horror releases—Savage Species and Dust Devils—would make excellent movies. Both would require moderate budgets, but I don’t think they’d be difficult to adapt into screenplay form. One of the tests I present myself as a writer is the Movie Scene Test. Essentially, I go scene by scene through my stories and make things as visual as possible. If the scene isn’t immediate enough to be imagined on film, I either cut it or rework it until I can see it playing out on screen. Even if a scene is a flashback or a dream sequence (though I rarely do those), it needs to contain action, dialogue that crackles, or some other magnetism that makes it unspool like a feature film. I’m not saying I accomplish that every time, but it’s something of which I’m always cognizant. My other novels would also play well on film, particularly The Darkest Lullaby, which wouldn’t need a robust budget. That one could be a small, independent picture. The Sorrows and House of Skin would be great movies, but the screenplays would be very tricky due to the Gothic format of the books. My superhero novel Bloodshot: Kingdom of Shadows would be a blast on screen, but it (like The Sorrows) would require a ton of money. Obviously, I’m a total unknown to Hollywood, so I won’t hold my breath for those to be adapted. In reading back through my answer to this question, I realized my words could be interpreted as being self-aggrandizing. I didn’t mean them to be. I just love movies and want my stories to be easy to visualize.

DM: What can we expect next? Can I hope for a sequel to Savage Species for example?

JJ: I’m really excited about the prospect of writing the sequel to Savage Species, but I’ll likely have to wait until, at the earliest, the summer of 2015 to write it. This year I’ll have Dust Devils in February and Castle of Sorrows (the sequel to The Sorrows) in July. There’s also something else coming in July that—to my knowledge—has never been done before, but I’m not allowed to talk about it until the contracts have been signed. But it’ll be a pretty awesome thing. I’m working on my seventh Samhain novel now (to be published in January 2015); I also have two really big and awesome projects to write and complete this spring and summer. So…it’s a busy time, but it’s the best kind of busy. I’m just thankful that people want to read my stuff, and I hope my readership continues to grow in 2014. I’m also thankful for places like Dreadful Tales, which is a place that champions horror and helps make the genre stronger.

Dust Devils will be published on February 4, 2014 by Samhain Publishing and will be available from Amazon, Barnes and Noble or direct from the publishers here as well as from where all good books are sold.

– Dark Mark

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Deadstock by Ian Rogers

It’s no secret that I’m a huge fan of Ian Rogers’ Felix Renn/The Blacklands series, so when I got the opportunity to check out his first foray into Weird West territory (a favorite genre of mine), I jumped at the chance like my life depended on it.

No one knows who or what is killing the cattle at Groom ranch, but Sam Dryden, with his supernatural greenwood gun, and Raisy, with her ‘deck’ of knives, are determined to find out. What they discover is more horrifying that either of them ever dreamed, and the secret may be one that takes them to their grave.

Where Temporary Monsters, The Ash Angels, My Body (a short story), and Black Eyed Kids are supernatural/detective stories told with an old school style, they’re unmistakably modern and steeped in today’s reality. In the case of Deadstock, the narrative is very much a throwback to western fiction where Rogers does away with every bit of modernization completely and instead shoves the reader into a literary time machine, making them feel the terror by the flicker of old west fire light. The back copy says that Deadstock is “Seasoned with a dash of horror and a pinch of sci-fi…” and I couldn’t agree more.

Rogers is in fine form, crafting a tight little story around two of his strongest characters to date. Sam and Raisy are quintessential western heroes hell-bent on righting a wrong in the name of loyalty and familial bonds. The mystery surrounding their back stories is ample enough to warrant full attention, just in case the author may divulge “a little bit more”. Unfortunately the author doesn’t fulfill this unspoken request, and we’re left with what he’s given us. Not that it’s a bad thing, though. Almost as is to make up for the lack of back story, it feels almost as if Deadstock is a set-up for a longer piece, and I for one can fully admit to being more than a little stoked for that prospect.

Proper setting and placement are absolutely essential to the well being of a well crafted Weird West novel. If these things aren’t handled properly, the author stands on the precipice of another genre altogether, namely Steampunk. Rogers handles this task brilliantly and expertly, keeping the realism directly steeped in a properly historical context, and limits himself to that time perios alone. Add the weight of a supernatural element and BAM! what you have in your grubby little hands is one of the best Weird West pieces you’ll ever read.

Not only does Rogers do an excellent job setting the scene, but his two main characters, supporting cast, and his ‘bad guys’ all work together to create one of the biggest teases I’ve come across in a long time. If Deadstock were to become anything, I’d wish that it headed into a series, and not a one-off novel/novella. There’s obviously a lot more to cover in this world, and I have faith that Rogers is up for the task.

Now, as much as my little love fest here is fun, I do have to mention that I felt a little let down by the length of the piece. There’s so much that can be done with this story that I, for one, have been left salivating for more. The prospect of having to wait for a prequel or sequel to this story is harrowing and I know that, once it comes, I’ll be chomping at the bit for it.

I’m a huge fan of Weird West fiction (even though I have a healthy fear of horses), and welcome Rogers to my collection. This is ‘Grade A’ fiction from a phenomenal author, folks. The Weird West genre is lucky to have a new addition to the stable, as Rogers’ attention to detail and original ideas will no doubt help bring more notice to what I think is a treat in the literary world.

C.