Stuck On You by Jasper Bark

STUCK ON YOU coverWith a tag line by the publisher that actually says “Warning! Do not buy this book, gentle reader”, how the hell can I actually stand here (I’m totally sitting, guys) and say that you shouldn’t buy this book?

Because you know what? You should really buy this book.

If you like slashers, you should buy this book.
If you like Deadite Press and their nasty nastiness, you should buy this book.
If you like flesh dripping, genital torturing, disgusting prose, you should buy this book.
If you like Nora Roberts and those Evanovich books, you should… um… not buy this… fuck it, you should totally buy this book.

Why?
Because you’re never going to read something both horribly disgusting, and so brilliantly written, ever again. Ever.

So yeah, I am fully supportive of you all buying this book. It’s horrendously disgusting, and actually made me write to the publisher and ask “What the hell was that?” (Check that with Joe. He’ll back me up.)

Warning! Do not buy this book, gentle reader.

No really, we mean it. Move along, click away from this page and go look at some Dino porn instead. We’re not kidding. The only reason we published it is because award-winning author Jasper Bark has got some serious dirt on us. Honestly, there’s no other reason to put out something this depraved.

This is the sickest, filthiest and most horny novella you’re likely to read this year. It will turn you on even as it turns your stomach. Think you’ve seen everything there is to see in horror and erotica? Think again! Just when you think this story can’t get any lower it finds new depths to plumb.

Why are you still reading this?! Oh God you’re going to buy it aren’t you? You can’t help yourself. You’re going to click on that purchase button and download this little bad boy.

Well don’t say we didn’t warn you…

 – from crystallakepub.com

Flo realz, people. This is the real deal.
Okay… enough talking like an idiot.

The synopsis basically says nothing about the piece itself, but tell you everything about the nature of the style and the delivery of the story. It’s gritty, nasty, depraved, and highly sexually charged. I wouldn’t even hesitate to say that this could be the forefather of a true erotic horror movement, albeit very extreme “horrorotica”.

The story centers around a husband, Ricardo, who has been sent on an errand to Mexico by his wife, Ellen, to pick up a few odds and ends for their “artisan trading” business. The biggest problem with this? Whether or not Ellen can trust Ricardo to behave himself while in Mexico alone. Recently, Ellen had caught Ricardo in an attempted affair, uncovered more past indiscretions, and confronted him violently. Though she still allowed him to cross the border in search of items to sell as their booth in Arizona.

And that’s when he met Consuela. And everything gets worse from there.

When I say “everything gets worse”, I really mean it. Well, everything but the writing.

This sick puppy of a novella, ringing in at 58 digital pages, starts at disturbing, and takes an escalator up to the next level of the weirdo shopping center, to the over-the-top grossness store, and restocks its shelves with cans of whatthefuck pasta (with extra sauce) and vomit flavored Ramen noodles.

There’s nothing else I can say about this that won’t be a spoiler, save for the fact that it’s one of the most imaginative and excessive horror/erotica stories I have ever read. When Bark’s collection hits the shelves, I’m going to be first in line to get my sticky little hands on it.

C.

Note: Being turned on by this story worried me a little bit, but the cover reminds me of a ham steak for some reason and I’m actually kind of hungry… and that’s really beginning to worry me more…

Dust Devils by Jonathan Janz

I’ve long been a fan of the Horror Western but for my money few writers manage to write them convincingly. When I discovered that Jonathan Janz’s next novel was a horror novel set in 1880s New Mexico I had high hopes for a wild ride and I was not to be disappointed.

Dust Devils is at its heart a story of revenge and redemption, its protagonist Cody Wilson is a young man who has married a wanton woman and ostracised himself from his own family into the bargain. After allowing a savage band of vampires who travel New Mexico masquerading as itinerant actors to seduce and slaughter his wife he saddles up in search of revenge, but he also has a few inner demons with which he needs to battle. Catching up with the vampires it isn’t long before the hunter becomes the hunted and joined by a young boy who is the soul survivor of another of the vampire’s rapacious attacks a desperate pursuit ensues. Seeking succour in the small town of Mesquite he finds himself trapped by the brutish and evil men who run the town, the clock is ticking and Adam Price’s feral gang of travelling vampires will soon descend upon Mesquite bringing hell along with them.

Dust Devils is a tense and riveting tale which reaches a ferocious and breathtaking crescendo in the towns saloon where all hell breaks loose. Janz’s vampires are thankfully not the simpering lovelorn creatures we have seen plague horror literature of late; instead they are relentlessly vicious and monstrously carnal. As with Janz’s other novels this fantastic story is grounded by wonderfully drawn characters and it is almost a shame to see even some of the evil ones ripped to bloody shreds.

First and foremost a traditional Western Dust Devils is also a gripping horror story suffused with terror and no holds barred bloody action. With this novel Jonathan Janz lets fly with both barrels blazing.

With its publication imminent I thought I would ask Jonathan a few questions about his novel.

DARK MARK: Why a Western? I felt a love of the genre shone through in the novel but what were your inspirations for the tale?

JONATHAN JANZ: That’s wonderful to hear! I’ve always enjoyed western films, but it wasn’t until about a decade ago that I got into western novels. Now I love them. I think what attracts me—and many people—to westerns is the lawlessness of the environment. Strangely, I think it’s similar to people’s attraction to the zombie subgenre. Essentially, both genres beg the question, “What happens when all threat of punishment is erased?” Outlaws thrived in the Old West because there was very little law to thwart them. Many people turned a blind eye to their crimes. Others joined them in victimizing innocent people. But just as there will always be people who choose the easy route, or even the despicable one, there will be good men and women who will do what’s right because that’s the kind of people they are. Because western stories plumb the depths of humanity, the heroes who rise up to stand against evil shine all the brighter. We like zombie apocalypse stories because we want to see who will loot and pillage and victimize in the absence of authority, but we also watch these stories to witness the revelation of the good within our hearts. So too do the best westerns distil good and evil and dramatize them in the most unflinching way. My inspirations for the novel were the works of Elmore Leonard, Cormac McCarthy, and Larry McMurtry, as well as the films of Clint Eastwood and the recent 3:10 to Yuma. For example, in Leonard’s Last Stand at Saber River, the protagonist has many opportunities to choose the easy way out. But he knows that in doing so he’d be compromising his beliefs, setting a bad example for his sons, and disappointing his wife. The protagonist of my novel grapples with some of the same issues, and I hope I do that internal conflict justice.

DM: I thought Cody Wilson’s relationship with his father had a ring of truth to it, was it based upon that of an actual father and son?

JJ: I can’t tell you how happy that makes me. That relationship might just be the most important one in the entire book. I grew up without a father in the house (at least, until my mom remarried when I was in junior high). A father was something I always longed for, and I felt that void acutely throughout my childhood. I often chose television dads who seemed kind hearted to become my imaginary fathers. They’d take me camping, play catch with me, and generally spend time with me. I think the father in Dust Devils, though he’s not perfect, is the kind of dad I wanted to have and the kind of father I want to be. Now, thankfully, I have a son of my own (as well as two wonderful daughters), and I get to experience all the things I missed out on as a child.

DM: The vampires are rapacious and brutally nasty was this a conscious effort to make vampires scary again? Is there a beast within the mild mannered horror writer that must find release?

JJ: Hah! You’d have to ask my wife about the “beast within the mild-mannered horror writer” part, since she knows me better than I know myself. I’m very happy you found the vampires to be brutal and nasty. I certainly wanted them to be frightening. I don’t hate any book or movie, necessarily, but I know there have been depictions of vampires as angsty, less-than-monstrous creatures. I don’t think there’s anything wrong with a vampire who can be seductive—in fact, I think that can be a good thing. But for me, there needs to be that other side. That duality. It’s the darkness that makes the seductive side more frightening. I thought Chris Sarandon did a great job in the original Fright Night of capturing both the allure of the vampire and the viciousness of its true nature. His character (Jerry Dandridge) was one of the inspirations for Price, my lead vampire in Dust Devils. Having said that, the bestial, ravening creature hiding behind the human mask is my favorite aspect of the vampire. 30 Days of Night is a film that I thought did a great job of showing how frightening and inexorable vampires could be. So, for me, the best vampires feature a combination of intelligence, seductiveness, ferociousness, and sadism. I hope my vampires exhibit those traits in Dust Devils.

DM: I thought the book would make a great movie, which of your novels if any would you like to see on the silver screen?

JJ: Thank you! I’m biased, obviously, but I think it would make a great movie, too. I think my most recent two Samhain Horror releases—Savage Species and Dust Devils—would make excellent movies. Both would require moderate budgets, but I don’t think they’d be difficult to adapt into screenplay form. One of the tests I present myself as a writer is the Movie Scene Test. Essentially, I go scene by scene through my stories and make things as visual as possible. If the scene isn’t immediate enough to be imagined on film, I either cut it or rework it until I can see it playing out on screen. Even if a scene is a flashback or a dream sequence (though I rarely do those), it needs to contain action, dialogue that crackles, or some other magnetism that makes it unspool like a feature film. I’m not saying I accomplish that every time, but it’s something of which I’m always cognizant. My other novels would also play well on film, particularly The Darkest Lullaby, which wouldn’t need a robust budget. That one could be a small, independent picture. The Sorrows and House of Skin would be great movies, but the screenplays would be very tricky due to the Gothic format of the books. My superhero novel Bloodshot: Kingdom of Shadows would be a blast on screen, but it (like The Sorrows) would require a ton of money. Obviously, I’m a total unknown to Hollywood, so I won’t hold my breath for those to be adapted. In reading back through my answer to this question, I realized my words could be interpreted as being self-aggrandizing. I didn’t mean them to be. I just love movies and want my stories to be easy to visualize.

DM: What can we expect next? Can I hope for a sequel to Savage Species for example?

JJ: I’m really excited about the prospect of writing the sequel to Savage Species, but I’ll likely have to wait until, at the earliest, the summer of 2015 to write it. This year I’ll have Dust Devils in February and Castle of Sorrows (the sequel to The Sorrows) in July. There’s also something else coming in July that—to my knowledge—has never been done before, but I’m not allowed to talk about it until the contracts have been signed. But it’ll be a pretty awesome thing. I’m working on my seventh Samhain novel now (to be published in January 2015); I also have two really big and awesome projects to write and complete this spring and summer. So…it’s a busy time, but it’s the best kind of busy. I’m just thankful that people want to read my stuff, and I hope my readership continues to grow in 2014. I’m also thankful for places like Dreadful Tales, which is a place that champions horror and helps make the genre stronger.

Dust Devils will be published on February 4, 2014 by Samhain Publishing and will be available from Amazon, Barnes and Noble or direct from the publishers here as well as from where all good books are sold.

- Dark Mark

Wake the Wicked: Thirteen Twisted Tales, by Christian Baloga

448836415_640Christian Baloga is an artist, and able to take the reins in nearly all aspects of production unlike many horror authors today. I was impressed by his body of work and multi-faceted nature. As such, Wake The Wicked: Thirteen Twisted Tales leads us beyond a plain spooky read. On realizing the labour in writing, packaging, and creating the visuals and teasers that surround the launch of this horror fiction gem, Baloga is able to do it all with frightening finesse. The book trailer intrigued me, and I had the suspicion the author was behind the creative drive for it as well. Soon enough, I confirmed my suspicions, interviewed Baloga, and reviewed the trailer on dreadfultales.com. Then, it was to wait anxiously for the book release.

Included in the paperback only, there are additional illustrations which I was lucky enough to see beforehand. Yet another skill this artist holds; bringing print stories to life in more ways than one.

Stand out favorites of mine include; Flesh Boots (I have an affinity for the German, dogs, and cleaning), Psycho Pharm (so terribly distressing and beautifully written in the tradition of Plague Dogs), Tremble For Me (which struck me as the most violent while being a commentary on popularity in the digital age), Savage Games (if anything, as a child, I avoided being monstrous and this lesson reminds me why), Dusk to Dust (fascinating visuals of powerful and wonderful women that remind me of the Soskas, Canada’s Twisted Twins), and Ripped to Ribbons, where curiosity caught the cat, but you will have to read on to see what dies.

Without going overboard too often into visceral or grotesque horror, Wake the Wicked dips in and out of terror, letting us peek around shadowy corners into nightmarish landscapes. In delightful dark moments the reader is plunged headfirst into brilliant gore and at times relentless brutality. All the while, an air of tenderness whispers through the prose making every moment personal and vividly imagined. Intensely descriptive, it’s easy to take walk in his characters shoes, though the faint of heart may try to stop or run away from what they face.

Wake the Wicked: Thirteen Twisted Tales will be available in paperback soon. Get the ebook or check cbaloga.com for updates.

All Hallow’s Read 2013 (Day 3)

ThirtyMiles

Today’s suggestion is for all of the newbies to the genre. No doubt you came to our dark neck of the woods from Mystery, Thriller, Crime, or some other sort of speculative fiction genre, but have you ever faced a piece of writing that combines pretty much all of the above?

Thirty Miles South of Dry County is not only a brilliant foray into Kealan Patrick Burke’s unique style of storytelling, but it’s also an amazingly fun romp through a crazy, far-out-there, dystopian world that, well, isn’t actually too far-out-there. 

One of the greatest things about helping new readers along the path of finding great stories is that I get to throw my absolute favorite reads at them. I read this novella when I was looking at the 2013 Stokers Finalists and, in all honesty, I think it should have won.

While Gene O’Neill’s winning novella, The Blue Heron, is a phenomenal piece of speculative fiction, Burke’s entry is so instantly memorable it would easily make incredible viewing as a TV show, a la The Walking Dead or The Killing. Easily. (Burke, if you’re reading, you need to pitch this, man. Pitch it!)

It also helps that Burke is a looker, and a good face to have at the forefront of the genre, right ladies? (Yeah. I went there)

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All Hallow’s Read 2013 (Day 2)

Today’s suggestion is for the Hardcore Fan of true, unadulterated horror. And you know what? I’m gonna throw a wrench in your guesses. Because that’s what you’d least expect when you’re guessing what I’m… Yeah…

Anyway, I know what you’re thinking. You’re sitting there going “He’s going to throw down with Laymon. Or Ketchum. Yeah… he’s going that route. No? Then he’ll definitely pick one of the classics. Or Keene. Yeah, it’s gotta be Keene.”

Nope.

Let’s bring it down a bit in age brackets, why don’t we…

ScowlerI want you to suggest Daniel Kraus’ Scowler to the next person who professes to be all Hardcore in their love of horror and dark literature. Not only is this novel horrifying, but it’s also a literary emotional endurance challenge. Reading this novel put me through my paces, and I’m sure it will do the same to all of you. Regardless of age.

Go get you some. And hell, while you’re at it, go out an buy his previous novel, Rotters – by far the best YA horror novel I’ve ever read. Bar none.